Category Archives: Winning Quilts

International Quilter A Big Winner

Hiroko Miyama creates beautiful, award winning quilts from her home in Tokyo, Japan.

She says that she was a “born handicraft maker.” When her younger son entered elementary school, Hiroko thought it was a good time to start something new. At that time, hand quilting was just getting popular in Japan and she thought, this was it! After she began hand quilting, she stopped doing her other handicrafts like knitting, dress making and embroidering.

Hiroko confesses that she has been “addicted to machine quilting for 8 years.” Most of Hiroko’s designs are her interpretations of beautiful scenery around Nagano, Japan, and of flowers and fairy tales. Recently, her husband Mosanobu Miyama, has collaborated on some of her designs.

At Road 2017, Hiroko won first place in the Art Human Image category for her quilt, Lily. Hiroko received $1,000 from sponsor, Maywood Studio/EE Schenck Company for her winning entry.

For this piece, Hiroko wanted to depict her granddaughter Natsumi as an elegant lady when she came to visit her cottage. Hiroko remarked that the resulting snow tanned face on Natsumi was not her original intention but that it didn’t hinder the results.

It took 4 months (or about 800 hours) for Hiroko to make and quilt Lily. This project challenged Hiroko to harmonize the quilt with her original machine embroidery. She designs, “punches,” (creates the embroidery data) and then does the actual embroidery. Hiroko reported that “300 hours were required for embroidery only.”

When she heard she had won, “I and my husband celebrated by drinking a couple of mug of beer.” They travelled from Japan to see the quilt at Road 2017. “I really enjoyed the show.”

What did Hiroko do with her prize money? “I bought fabrics and threads, of course!”

For the near future, Hiroko plans on having Lily displayed at AQS Quiltweek in Grand Rapid and then on to Fall Paducah.

Congratulations, Hiroko, on another winning design.

 

So You Want To Make A Winning Quilt- Excellence in Hand Quilting

Linda Roy won $1,500 for Aztec Sunset from Sponsor, World of Quilt Travel

Linda Roy’s quilting journey began in 1988 when her husband had a job transfer from Southern California to Conway, Arkansas.  Shortly after moving, Linda saw a program on television on vintage and newer quilts that introduced her to quilting. Then, a little while later, Linda met one of her new neighbors, Irma Gail Hatcher, who just happened to be an award-winning quilter. Irma invited Linda to join a small group that met monthly at her home and then to the Arkansas Quilt Guild. Linda said, “It was a pleasure to spend time with woman of all ages coming together for the pleasure of creating something beautiful.”

Linda made her first quilt when her youngest son was three. She found that she could keep an eye on her son while he played and do her hand work at the same time.  She was hooked on hand quilting with that first original quilt and now hand quilting is her passion.

The design and color for Aztec Sunset was inspired by Mayan Ruins. Linda designed her quilt using graph paper. Since Linda made this quilt for herself, she felt that she had total freedom to make it “outside the box.”

Two of her favorite large tomato red scraps were utilized in the quilt along with other fabrics in her stash creating a four-block design with a spiraling border.  Each quadrant has different but similar fabrics. The tea dyed muslin and stripes are the unifying fabrics. 

All the triangles are hand appliqued along with the bias bars.  Linda feels that the additional hand embroidery on the quilt gives a little more importance to the hand appliqued triangle shapes.

Aztec Sunset took approximately one year to complete. A hoop was used for the hand quilting, working on one piece at a time.  Linda remarked that after deciding on the design and color, “hand quilting is my favorite part of the quilt… (it is) very relaxing.”

Learning about her award, Linda said she “truly couldn’t believe I had won such a prestigious award.  Stunned would be a good word to describe how I felt and still feel.” She plans on using her prize money to replenish her fabric, thread, batting and various quilting needs not to mention that the “worn out chair I sit in to sew could use being replaced too!”

Linda’s thoughts on her experience in creating a winning quilt is motivational for other quilters as well: “This award encourages me to follow my heart without fear of the quilting police.  Sometimes it can work out!”

So You Want To Make A Winning Quilt: Outstanding Traditional Quilt

From The Bride’s Trousseau made and quilted by Margaret Solomon Gunn won $5,000 from sponsor Janome for Outstanding Traditional Quilt at Road 2017

Margaret Solomon Gunn is a talented quilter. She won not one but two prizes at Road to California 2017!!!

Margaret won Best of Show for The Twisted Sister

and Outstanding Traditional Quilt for From The Bride’s Trousseau.  

What inspired Margaret to make this winning design? In 2011, she designed and quilted a 40” whole cloth.  This was her first attempt at the design process.  Of that experience, Margaret says, “To this day, it is unbound!”  The design for From the Bride’s Trousseau originated with this first quilt’s design.  It underwent at least a dozen modifications to reach the final form that was quilted for the 2015 finished quilt.

The current design is larger, and more complicated.  From the Bride’s Trousseau is a 1/8 symmetrical whole cloth quilt, meaning that it was designed on a 22.5-degree wedge, then copied and mirrored to create the pattern.  It is quilted in silk threads.  Margaret’s favorite areas of the quilt are the Sashiko-inspired fills.  They are quilted with a marked grid and give the quilt a very traditional feeling.

It took Margaret about a year to finish the quilt. What did she learn along the way? Says Margaret, “I have this ability to make simple tasks take WAY longer than they should!  This is mostly because I don’t just work on one quilt at a time.  I frequently have at least 3 quilts in various stages of construction, quilting or finishing at any given time. I learned that quilting with colored thread creates a beautiful effect, but it’s challenging.  I also learned that I appreciate taking the time to make a quilt double-sided (and it helps identify those pesky little areas that need fixing before a judge finds them!).

Margaret was “surprised” to know that this quilt had also won a prestigious award at Road 2017.  She related that From the Bride’s Trousseau “had been out and to several shows the last 2 years.  Sometimes it does nothing, and other times, it surprises me.  During the quilting journey, I have just learned to appreciate when the quilts do win, as nothing is ever certain.  I do the best I can do, and then it is out of my hands.  It is wonderful when judges recognize my efforts.”

After winning two awards, Margaret is certainly not resting on her accomplishments. She recently finished a book with AQS, along with two other self-published books. She teaches at select quilting shows and writes for Machine Quilting Unlimited magazine.  In her “spare time,” she even still quilts for clients (one of her client’s quilts was also entered in Road 2017). And of course, she is working on the coming year’s show quilts. All in all, Margaret says, “It’s a fun life!”

So You Want To Make A Winning Quilt: Outstanding Modern Quilt

Z is for Zoey won Outstanding Modern Quilt at Road to California 2017. Sponsor Riley Blake Designs awarded $5,000 to maker, Mary Kerr and quilter, Karen McTavish.

Family and quilting goes hand in hand for Mary Kerr. She grew up in a family of quilters and her latest winning quilt, Z is for Zoey, was made for her granddaughter, Zoey Rose, Mary’s “very own mini-me.”

A Road 2016 faculty member and curator of the special exhibit, Quilt As Desired, Mary has a special affection for vintage designs. She wanted this piece to reflect the convergence of the past….her love of vintage with the excitement of the future….Zoey’s place in the modern world.

Z is for Zoey was inspired by a a single long strip from the 1930s. Tongues of fabric had been hand appliquéd with black thread on both sides of a muslin strip. It was never incorporated into a quilt and at one point someone even cut out one of the fabrics to reuse. The quilt married Mary’s “love of vintage textiles with the freshness of the Modern quilt aesthetic.”

Mary thought long and hard about the design. Once she decided how to create the “Z,” the top came together in just a couple of days. Then, according to Mary, Karen McTavish “added the perfect background with her distinctive lace quilting.”

While both Karen and Mary were “very pleased” that Z for Zoey won Outstanding Modern Quilt, Mary says, “My Zoey takes full credit for the win!”

For the near future, Mary plans to continue to teach, write books and hopefully inspire others to work with vintage fabrics.

You can learn more about Mary on her website.

So You Want to Make a Winning Quilt-  Outstanding Innovative Quilt

REBORN was the 2017 Road to California Outstanding Innovative Quilt winner.   Made and quilted by Molly Y Hamilton-McNally, Molly received $5,000 from sponsor, SewBatik.

Molly Y Hamilton-McNally is a familiar winner at Road to California. In 2012, she won Best of Show for Everlasting Bouquet, a quilt she made and that was quilted by Cindy Seitz-Krug.

Fear, loneliness and deep depression brought Molly to quilting in 2000 when she was diagnosed with cancer and later her mother and husband passed away. Molly realized that she had to find some way to bring her back to the light. An acquaintance encouraged Molly to take a class in basic quilting. Unexpectedly, she found herself developing a passion for this art form.

Now remarried, life is bright again for Molly. Reborn depicts the rising of the ancient phoenix and represents Molly’s rebirth as well. 

It took Molly roughly 1-½ years (the equivalent of 1600 hours) to make Reborn. Molly enjoyed the opportunity to continue to improve her abilities using her favorite technique, needle-turn reverse applique.

What was Mollie’s reaction when she heard she had won Outstanding Innovative Quilt? She says she was appreciative and happy. Also, she was pleased to have been honored by Road to California and gratified that her hard work had paid off. She plans to use part of her prize money to help pay off her longarm machine.

What does Molly’s quilting future hold for her? Molly wants to continue designing large, award winning quilts as well as small quilts which she will use to teach others her techniques.  To learn more about Molly, please visit her website.

Outstanding Art Quilt – Road 2017

Emma in the Looking Glass was made and quilted by Lenore Crawford who won $5,000 from sponsor, Handi Quilter.Winning Quilt by Lenore Crawford

Lenore Crawford is no stranger to Road to California. She has been a member of the teaching faculty in the past and in 2014, she won in the same category, Outstanding Art Quilt, for her work, Capturing Brittany.

Lenore started quilting in the late 1990’s using 2” fabric squares as her art medium in the watercolor quilting style.  She created impressionistic art quilts with the squares.  Up until that time, she hadn’t done any quilting; just lots of other things with different mediums.

What inspired Lenore to create Emma in the Looking Glass? Lenore along with her friend, her friend’s daughter and granddaughter were visiting Lenore’s mother’s gardens where there is a beautiful lily pond that Lenore’s step-father had built.  Emma, the granddaughter, was playing around the pond when Lenore took her picture.  It was a beautiful sunny day in mid-summer and Lenore was “really inspired by the whole scene.”

Lenore spent several months in the winter of 2016 creating Emma in the Looking Glass.  It was one of the very first quilts Lenore had done of a person using her fusing technique.  The most difficult part was finding the perfect flesh tone fabrics which in the shadows and water were very purple.  Lenore ended up using her fabric paints and painting the colors and values of fabrics that she needed for them.

When Lenore found out she had won, she thought that it was “very exciting to win a prize like this!  I like to have my art quilts in large shows so others can see what can be done with fabric.  If I win a prize that is the icing on the cake!” She is planning to use her prize money toward the purchase of a new car where she can “enjoy it every day!”

What does the future hold for Lenore? She has already finished a large piece this past winter that she plans to enter either in 2018 or 2019 at Road to California.  She loves to have a large piece in the works.  For Lenore, the larger the piece the more detail she can add to it which “makes it all the more fun!”

We can’t wait to see what Lenore has created next!!

To learn more about Lenore, please visit her website.

 

So You Want To Make A Winning Quilt: Director’s Choice

Yuja received the Director’s Choice Award at Road 2017. It was made and quilted by Linda C. Anderson. Linda received $5,000 from sponsor, Moore’s Sewing Center.Winning Art Quilt

Linda C. Anderson has two passions: sewing and drawing. She began sewing clothes at age 12 and has a Master of Fine Arts in drawing. She had no idea that she could combine both of these skills until 2009 when she saw her first art quilt.  It was then that she immediately knew that she had found what she was going to do for the rest of her life.  She went home and taught herself to do just that.  Quilt after quilt has been an ongoing learning experience for Linda, taking her to where she is today.

The idea for Yuja came from a PBS article that Linda found on Yuja Wang, a fascinating and very contemporary personality in the world of classical piano.  She knew after reading the article that she wanted to tell her story.  Telling unique stories of different people is what Linda says she is drawn to do.

Linda’s art pieces usually take between 2-3 months to complete, depending on size and complexity of detail. She will typically work on a piece 6 days a week, 8 hours or more a day until it is finished. Beginning in 2015, Linda reported that Yuja took 2 solid months to create.  She has learned not to shortchange the outcome and just do the tedious work the stitching details require. Linda loves detail stitching. It isn’t until she gets in to the actual stitching that she realizes there is always more details than what she originally considered.   So, as Linda says, “I just plow on, because the final result is worth my time.”

When Linda found out that Yuja had won Director’s Choice, she was “incredulous, and thrilled, to say the least.  I know there are hundreds of juried entries, and the quality is always so high.  I go each year to learn from what I see and keep improving.  That my piece was selected as Director’s Choice (was) a huge honor.”

What did Linda do with her prize money from Moore’s Sewing center? She reported that she is “a big saver in general,” but that she does have her “eye open for a new loveseat for our kitchen area.”

Where will Linda’s art quilting take her next? She went to China last year and took a lot of photographs.  Linda says, “It’s a spectacular country, rich in history and beauty.  I am currently creating art quilts for a series entitled, Dreams of China, that I will be continually adding more pieces to this year and the next.  There are a lot of stories of people there to tell.”

You can learn more about Linda and see some of her art quilts on her website.

***Editor’s Note: The Director’s Choice Award is personally chosen by Road to California’s Show Director, Matt Reese. Since Matt has a bachelor’s degree in music, there’s a pretty good chance that any music themed quilt entry will be considered for this prestigious award. (Wink. Wink.).

Marie White Masterpiece Award – Road 2017

The second highest award given by the judges in Road to California’s Showcase is the Marie White Masterpiece Award. This prize is sponsored by Road to California and is worth $7,500.

The 2017 Winner was Cardinal Points

Made by Gail Stepanek (l) and quilted by Jan Hutchinson (r), this was the sixth quilt they have collaborated on together. 

Gail is from New Lennox, Illinois and Jan is from Kansas. They have been partners for five years, having originally met on the internet after Gail saw some of Jan’s work. They didn’t actually meet in person until two and half years after they partnered together. Jan said that the two of them have “become good friends along the way.” Gail offered they get along so well because “we both have a sick sense of humor.”

The idea for Cardinal Points came from an antique quilt Gail had seen that had a similar pattern but was made from much larger blocks. Gail decided to reduce the size of the blocks to “teeny tiny” dimensions for her original design. It took Gail one year to finish the top. Creating a block pattern that was paper-pieced with lots of teeny-tiny pieces was “not the easiest thing to do,” said Gail.

Jan spent three months on the quilting. She decided to treat each circle with a different type of quilting. Consequently there are lots of different patterns throughout the quilt that she designed freehand.  Jan also wanted to keep the quilting traditional because the top is traditional. She used metallic thread twisted with silk to make the quilting more subtle.  “I loved doing this quilt,” remarked Jan.

They had a difficult time coming up with the name. Because the quilt is a variation of a Mariner’s Compass block design, they decided to name it Cardinal Points– the parts of a compass that point North-South-East and West.

The Marie White Masterpiece Award was the second time Cardinal Points had won recognition at a quilt show.  Previously, it had won First in Show and Third Prize overall at Houston in 2016.

What is Jan and Gail going to do with prize money? Why make more quilts to enter in shows, of course!!

You can stay up to date with Gail and Jan on their Facebook Pages.

So You Want To Make A Winning Quilt: 1st Place Innovative, Wall, Pieced Road 2016

Beth Markel won 1st Place: Innovative, Wall, Pieced for Spring Storm at Road 2016. She received $1,000 from sponsor, Artistic Creative Products.1st-place-innovative-wall-pieced

Beth Markel’s interest in quilting began when as a little girl, threading needles for her Grandmother Broyles, who lived with her family.  Grandma Broyles was always cutting a quilt, sewing a quilt, and quilting a quilt – 3 quilts in 3 different stages.  Heaven for young Beth was sitting under the quilt frame her father built for her grandmother, practicing her spelling words.

While Beth is a 5th generation quilter, for a while it didn’t look like she would be a part of her family’s tradition.  She got discouraged with sewing when her 7th-grade Home Economics teacher commented to Beth, “Stick to cooking, because you can’t sew worth a darn.”  It wasn’t until Beth was 36 years old that she decided to attempt quilting and made her first 9-patch. She has been hooked ever since.

Beth and Sophie

Beth and Sophie

The inspiration for Beth’s winning design came from an experience she had after graduating from college and starting her first job in Boston. She had to travel often to New York City and one sunny morning when she was at a farmer’s flower market, a spring storm roared through.  Beth recalls, “Literally, one minute there were purple iris and golden daffodils and crocus, and the next there were purple and yellow petals spinning and whirling through the air.” That impression has stayed with her to this day.

Spring Storm is the first in a series of four seasonal quilts Beth is designing. Beth believes “there are seasons in our lives.  Spring happens when we’re young, a little wild, tempestuous, naïve, and turbulent…the beginning of growth.  Evolution.  Storms.  Setbacks.  More growth.  Beauty.  So stand back.  No, literally, stand back!  The only way to see the twister is to stand back a way, then be slowly drawn into the joy that is every single decision, every single choice, and every single piece that together, tell a story.”

It took Beth almost 14 months to make and quilt Spring Storm partly because  the piecing got so tiny (less than ¼” x ¼”) and all the seams were ¼.”  The quilt has a lot of “stitch in the ditch” as well as quilting in individual squares.  All of the threads were tied-off and hidden because she used her regular sewing machine, a Bernina 300, to do the quilting.  Because of the basis of the piece, Beth wanted to give voice to each individual piece of the pattern.  And while her choice was “tedious and wildly time-consuming,” Beth says it was “worth the effort in the end.”

Persistence is what Beth says she learned the most from Spring Storm.  When she decided to start the 4-Seasons series based on her life, she knew she had something specific to say.  Her youth was fairly wild, and she was constantly straining against where others wanted to pigeon-hole her.  Beth has realized that growth begins “when we’re honest with ourselves, regardless of what anybody else thinks about us.”  Spring Storm actually began as a 9-patch and then a 16-patch, hearkening back to her first quilt – with determination to say something new.

When Beth heard she had won first place, she was “speechless surprised.” She used some of her prize money to enroll in a writing class to help her with her blog. The rest of her winnings was spent on more fabric.

Where does Beth go from here? She is currently working on her second piece of her series, a summer themed design, which is up to 5,000 small pieces at this point. She has a “fun & interesting” trunk show which she presents to quilt guilds, as well as teaches 1, 3 and 5-day workshops. Two of her quilts are currently hanging in the National Quilt Museum as part of the book, “Art Quilts of the Midwest” by Linzee McCray.

Thumbs InVinoVeritas by Beth Markel

Thumbs InVinoVeritas by Beth Markel

Another two of her quilts are part of the exhibit, “Circular Abstractions:  Bull’s Eye Quilts” curated by Nancy Crow, which opened in August, 2016  at the Muskegon Museum of Art.  She continues to write on her blog, discussing everything from long-arm quilting to what happens when a quilter passes away with unfinished projects.

Beth’s quilting interests are many, varying from applique, fabric painting, indigo, and fabric dying to thread painting and using Shiva sticks. Whatever she is working on, Beth remains steady with her “persistence in fine-tuning her voice, breaking down walls between groups of artists, and making textiles relevant to people who only see “quilts” as worn-out bedspreads their grandmothers made…grateful & joyfully!”

To learn more about Beth Markel and her work, please visit her website.

 

So You Want To Make A Winning Quilt- 1st Place Modern Piecing

Rebecca L. Smith of Rapid City, South Dakota won $1,000 from sponsor Clover USA for winning 1st Place for Road 2016 Modern Piecing.

Modern Medallion

Modern Medallion

Rebecca L. Smith says she was “very fortunate” to have had a grandmother that quilted who patiently taught her to hand piece and quilt many years ago. Rebecca added, “I miss her every day.”null

Modern Medallion was started in 2014 and finished in 2015, taking 60-70 hours to quilt. The quilt was inspired by Rebecca’s rather large collection of beautiful gradated fabrics and from the interesting curved patterns from Sew Kind of Wonderful. She said she learned a lot about curved piecing on this project.  The quilting on Modern Medallion is mostly free hand.

What did Rebecca think about winning 1st place for Modern Piecing? She was ‘so excited” when she found out and was pretty sure she spent her prize money on buying more fabric.

Rebecca is hoping that her future quilting endeavors will challenge her to design an original pattern for her next quilt .