Best of Show – Road 2017

Margaret Solomon Gunn of Gorham, Maine, won $10,000 from sponsor Gammill Quilting Systems, for her Best of Show winning quilt, The Twisted Sister.

A quilter for nearly 30 years, Margaret Solomon Gunn’s experience with sewing began when she was in middle and high school, making her own clothes. She made her first quilt in college: a dusty blue and peach calico fabric pieced into granny squares and tied on the corners.

Margaret loves “the feeling of being creative.” After her 3 kids were born, (her youngest is now 10), she got back into quilting seriously, making over 100 quilts that were donated to Project Linus between 2007 and 2010.  When she bought her longarm in 2010, she was “kind of accidentally told I should enter a quilt into a show.”  Margaret did and that started “the avalanche of interest in making quilts” for shows.  As she says, “the rest is history.”

The Twisted Sister is actually the sister quilt (hence the name) to Margaret’s 2015 quilt, Bouquet Royale.  The earlier design featured the elongated hexagons of Lucy Boston, set on silk Radiance.  Margaret loved the process of hand piecing the fussy-cut pieces so much, she decided to do it again.  The Twisted Sister also has fussy-cut pieces, but they are regular hexagons.  They are not English Paper Piecing, but rather a hand-pieced technique she developed that is much better for custom quilting.  The colors in the quilt are Margaret’s “current fave” – pinks, greens and orange.  She also has a current addiction with silk, so Margaret revealed, “you can expect the backgrounds of my quilts to be silk Radiance for some time to come! It allows me to use bolder prints elsewhere because the quilting will always show beautifully on the silk.”  The Twisted Sister’s blocks feature a crazy zebra print (because Margaret says this sister is a whole lot more wild!), and an asymmetrical twisting border.   There is also a twisting motif in the quilting of the outer border.

It took Margaret about 16-17 months — from the time she started the blocks– to complete the quilt.  There is about 180 hours in the quilting alone and about 120 hours in the binding.  Margaret realizes that small points in judging “can be won and lost with finishing, so most of my quilts feature more unique edge treatments.”  Margaret noted that she will probably not repeat those edging treatments: double piped and scalloped binding with the looped detailing, all of which was executed by hand.

Road to California 2017 was the second time The Twisted Sister was shown and Margaret said she wasn’t sure what to expect from the judges. She said she was “happy and surprised” to learn she had won Best of Show. She hasn’t decided what to do with her prize money yet.

What does the quilting future hold for Margaret? She is finishing up a book with AQS, along with two other self-published books, all of which should debut April 2017.  She will teach at select quilting shows and intends to write for Machine Quilting Unlimited magazine.  In her spare time, she will still quilt for clients (one of her client’s quilts was also in Road 2017) and also work on the coming year’s show quilts. Margaret exclaims, “It’s a fun life!”

Congratulations Margaret Solomon Gunn on your Best of Show winning quilt!!

Everyone Loves A Winner

A popular event at Road to California is the Daily Drawing Giveaway. Guests had until 3:30 each day to fill out an entry blank at the North Registration Deck. Then, at promptly 3:30, members of Road’s App Team from Konnect, rolled the drum and pulled out the ticket of a lucky winner:


Marilyn McKitrick from Penticton, BC, Canada won a Babylock Rachel from Moore’s Sewing Center. Giveaway Winner Quilt Show

This was Marilyn’s fifth time at Road to California. She came with a friend from Nevada and they spent four days at the show. Marilyn said that Road is the “highlight of my year.”

A quilter for the past 15 years, Marilyn was in Lea McComas’ Thread Painted Portraits class when the drawing was held. Earlier in the day, her phone had died. She knew she had to put a phone number down on the entry form, so she put her friend’s number down instead — and forgot to tell her. When Road called her friend’s phone and told her the news, she ran from her hotel room to Marilyn’s class to tell her so Marilyn could make it to the registration desk before the 15 minute time limit was up. Marilyn said she was in “shock–absolute shock” when she found out she was a winner.


Mel’s Sewing donated a Bernina Red sewing machine which was won by Nancy Zimmerman from Placentia, California. Nancy and her “Bunco-Quilting-Jazzercise-Friends” braved the rain to attend Road that day. This was Nancy’s fifth time at Road and she has been quilting for over 20 years.

“Thrilled” was Nancy’s reaction to winning. She said she had been “looking for a smaller machine to take to classes” and this machine would meet her needs. Nancy loves to see all the vendors at Road. “There are new things every time you come.”


Cathy Hesler came from Covington, Indiana to attend her second year at Road. She won the Husqvarna Viking Sapphire 930 that was donated by OC Sewing and Vacuum.

She also was in a class when she found out she had won, attending Jacqueline Kunkel’s Vintage Compass. Winning was “a dream come true” for Cathy. “Road is great–I love it!!”


Elle Sproal from Orange County, California was the final Daily Giveaway Winner for Road 2017. She won a workstation from Martelli Enterprises.

Thank you to the vendors who contributed the giveaway items and thanks to all who entered.

Learning A Vanishing Art

The Egyptian Tentmakers were once again a huge hit at Road 2017.

Not only were guests able to watch the tentmakers in action on the exhibit hall floor,

some guests were also able to learn and practice their vanishing art in several classes taught by Jenny Bowker and assisted by the tentmakers, Hosam Hanafy and Tarek Abdelhay.

Jenny explained to the students that in Egypt, it is mostly middle class men who have learned and replicate this ancient method of appliqueing. They gather in small groups in work rooms as a social activity. One man will work on one piece until it is completed. They don’t get paid until the piece is sold.

Because of cultural norms, it is difficult for women to learn this trade. Women and men are forbidden to congregate together in public so women cannot work in the shops alongside the men to learn and practice the appliqueing. And since men are the primary instructors, the only way for women to learn these skills, is if they have a husband, father, or brother teach them.

Women’s contributions are less public but their skills are just as much needed and appreciated. Women gather in groups in homes to sew. One such group of 10 women are hired by Hosam to help fill his orders. Hosam gives the women a monthly allowance to help them get by in providing for their families until their quilts are sold. Selling one quilt will feed these women and their families for up to 5 months.  That is why supporting these women is so important.

Maria Canela was one of the students in Jenny’s Tentmaker Applique classes. Maria is from Cuernavaca, Moielos, Mexico – a city about one hour from Mexico City. She came with four friends from Mexico to attend Road 2017 and take classes. Maria has been quilting for 15 years and participates in a weekly quilting group. She signed up for the class because she loves to sew and loves history. “The history of Egypt amazes me,” remarked Maria. She enjoyed not only learning this method of applique but also hearing Jenny, Tarek and Hosam share the history and current status of the tentmakers.

After the three days of classes, the tentmakers moved to the exhibit hall floor where they demonstrated their skills during the show, thanks to a sponsorship by Pollard’s Sew Creative, . In addition, guests were able to purchase some of their quilts.  Part of the money Hosam and Tarek received went back to Egypt to assist the women quilters there.

Road to California was pleased at the response of support by guests for the tentmakers and were honored to present such a unique opportunity to the worldwide community of quilters.



Modern Quilting Unplugged

Modern Quilter and Founder of the Los Angeles Modern Quilt Guild, Latifah Saafir, presented a Lecture and Trunk Show during Road to California. She gave the history of Modern Quilting then shared some of her modern quilting work along with some insights on why modern quilting is unplugged i.e.; “cool, hip, original, fascinating, and likeable.”

The 2 A’s of Modern Quilting

Attitude and Aesthetic

One’s Attitude and Approach to modern quilting should be: “I don’t have to be perfect to start.” Never be afraid to try. With Latifah’s first modern quilts, she followed a pattern.Latifah Saafir Modern Quilting

Experience brought confidence, where today she makes her own designs. Latifah’s signature pattern is the Glam Clam: clam shells blown up to 12 inches.

The Aesthetic of Modern Quilting has distinct qualities that incorporate:

Functionality – Made to snuggle, give as a gift or as artwork


Reinterpreted Traditional Designs- Take traditional blocks and motifs and mixes it up

Minimalism and Simplicity – which are harder to designLatifah Saafir Modern Quilting

Negative Space

Modern Art and ArchitectureLatifah Saafir Modern Quilting

Improvised yet Intentional Construction

Bold colors, on-trend color combinations, and graphic printsLatifah Saafir Modern Quilting

Gray and White is neutral

Incorporates Solids – cheaper to use and can better express the quilter’s voice

Binding can also be used to frame the quiltLatifah Saafir Modern Quilting

When quilting her own quilts, Latifah shared that she “loves walking foot quilting” with her domestic machine. She encouraged the guests that they “can do it” too. Her tips for walking foot quilting: “Be Conscious. Take Breaks. Have your machine on a table.”

In the end, Latifah pointed out, modern quilting is like all quilting: “cutting fabric and sewing it together like everyone else.”



Meet Latifah Saafir And Modern Quilting

Starting off Road to California 2017’s Special Events was a Lecture and Trunk Show featuring Latifah Saafir, modern quilter, pattern designer, and founder of the Modern Quilt Guild.

Her special presentation was held Tuesday evening, January 17th at the Ontario Museum of History and Art in conjunction with the exhibit being held there, Modern Quilts Redesigning Traditions.  

The lecture began with Latifah giving a brief history on how the modern quilting movement began in 1998 when it became “cool” to use solid fabrics again. Quilters Gwen Marston and Nancy Crow

along with the Quilters of Gee’s Bend and Yoshiko Jinzenji,

were some of the artists that championed the return to using solid fabrics. The first modern quilt book was published by Weeks Ringle and her husband Bill Kerr also around 1998.

Latifah shared that she “always loved quilts.” While she learned how to quilt from her mother when she was 6 years old, when Latifah got her first sewing machine at age 10, she sewed mostly garments. At age 15, she checked out quilting books from the library. Their designs were basically the traditional, Amish quilt kind. In 2008, Latifah saw her first modern quilt and said to herself, “I can do this.”

About the same time Latifah made her first modern quilt, the modern quilting community was also getting started. First, an informal Flickr Group was formed in 2008 to share digital images of the work being created by modern quilters. It was an instant hit among younger quilters. Then, after the Long Beach Quilt Show in 2009, Latifah started the Los Angeles Modern Quilt Guild with 25 members.

Other areas around the world wanted to duplicate what the LAMQG started and today there are over 100 guilds worldwide.

It’s been almost 10 years since the modern quilting movement began. When asked where does Latifah see the future of modern quilting going, she replied, “Who knows–!!” One thing is for sure: the interest and skill level in modern quilting continues to increase.

Jan has been a modern quilter for 7 years and belongs to the Temecula Valley Modern Quilt Guild. She was attracted to modern quilting because it is “non-judgmental.”  She is self-taught, doesn’t use a pattern and just “figures things out.”

(ltor) Sharon and Jan

Sharon came from Los Angeles and has been quilting just 6 months. She takes classes with Jan. She started quilting after she retired from nursing and has made one baby quilt. She heard about the lecture through Road’s social media and was interested in learning more about modern quilting.

Debbie, Maria, and Pat all belong to the Inland Empire Modern Quilt Guild. The guild was started in September 2016 by a group of friends and now has 20 members. They came to the lecture and trunk show because they are big fans of Latifah.

Even long-time quilters are turning to modern quilting. Denise lives in Orange County, California and has been quilting for over 30 years. She considered herself a “traditional, Quilt-in-a-Day quilter” and fell into modern quilting because she wanted to do something “different, new, refreshing and colorful.”

Latifah’s signature “Glam Clam”– clam shells blown up.

Latifah hopes modern quilting will continue to inspire quilters to take ownership for their work and most of all, that it will inspire a new generation of young sewers.

Giving Back With Love And Stitches

On Saturday, January 21st, more than 40 quilt enthusiasts gathered at the Ontario Convention Center for the first ever, Roadies Give Back, a quilt-a-thon benefitting cancer patients at the Robert and Beverly Lewis Cancer Care Center at Pomona Valley Hospital in Pomona, California.

The event was planned by Road to California Director, Matt Reese, as a way for show attendees to get involved in the local community. In the past, Road offered speakers on Saturday night but in recent years, the attendance had been waning. Matt had hoped that by offering Roadies Give Back, that it would draw in lots of quilters who wanted to be a part of a worthwhile activity. And it did!!

A “whole lot of planning” went in to Roadies Give Back. Last October, a request went out for blocks that would be made into the quilts for the event. Road 2017 teacher, award winning quilter and author, Anita Grossman Solomon, designed the pattern for the blocks—her variation of Jacob’s Ladder. By the time of the event, Road had received hundreds of blocks from people all over the country.

Two rooms in the convention center were designated for the activity – a sewing room and a quilting room – where volunteers did their work. In the sewing room, Moore’s  donated the Baby Lock sewing machines that were used and Baby Lock donated the thread. Stitchers efficiently sewed the quilt blocks together to make the quilt tops.

After, the tops were made, they were passed on to the quilters in the quilting room for finishing. Batting was supplied by Mountain Mist, fabric for the quilt backs was donated from various fabric vendors at the show, and the Bernina sit-down longarm machines were donated from Mel’s Sewing & Fabric Center. Some of the quilters had never used a longarm before, so it was a great opportunity not only to quilt for charity but also to experiment with high-quality Bernina machines. Even Matt tried it out.

Four quilting buddies–Barbara, Lynn, Debbie, and Kathy — came ready to sew in their “cancer jammie pants.” Barbara is from Los Olivos, CA; Lynn and Debbie came from Solvang, CA; and Kathy came all the way from Utah. All women have members of their family or friends who have died from cancer or who are suffering through it currently. Together, they brought 81 blocks for the event (Kathy’s Utah friends contributed 55 of those blocks!!) Said Lynn, “Our charity quilts in our guilds make a difference where we live. We knew helping with Roadies Give Back will make a difference in Ontario too.”   Joe, a quilter for over 20 years, came to the event as a way to support his mother who just went through breast cancer surgery last July. While he was helping his mom, he found out that his sister had the same surgery two weeks before his mom.  Joe made 15 blocks to bring to the event.

Anita Grossman Solomon stopped by to see all the blocks and watched them come together in the various quilt tops. She commented that she was “in awe that Road, on top of everything else, got it all together to present this event.” Anita was admiring the work of Carol Payne from Texas who said, “I love to sew and I especially love to sew with a group. This is better than laying in my room watching TV.”

Throughout the night, Road gave away raffle tickets and had drawings to encourage the sewers. Prizes included swag bags from several of the Road vendors and tickets to Party Time at Road 2018.

In the quilting room, Wonderfil Specialty Threads vendor, Joanne from Edmonton, Alberta, Canada, who is also a retired nurse, wanted to help out because she had a good friend pass away from cancer in June, 2016. About the event, Joanne said, “It is fun whenever quilters get together.”

Mother and daughter, Gerry and Feliz, wanted to help out as a way to honor their husband and father who passed away from cancer. Feliz said they wanted to participate as a way to give back. Gerry brought 50 blocks that she had made before the show and commented, “This is wonderful. I would do it again.”

Shellee Reese, Matt’s mom and the Administration Director at the Robert and Beverly Lewis Cancer Center, said that the quilts will be given to chemotherapy patients because they “get really cold during their treatment.” After watching the volunteers hard at work, Shellee remarked, “Cancer has touched most people and the quilters are so generous. It touches my heart to see what is going on here tonight.”

By the end of the night, many, many quilts were completed—but not all. Road to California is going to give the remaining blocks and quilt tops to local guilds to finish before the quilts are presented to the cancer center.

To sum up this first ever Roadies Give Back, Matt Reese said it was definitely worth doing. “I have been amazed at how charitable the quilters were to give of their time and their resources. These quilts will give hope to the patients who receive them.”


Returning Quilts Safe and Sound

Why do our guests come to our show?

Some come for the vendors. Some come for the classes. Some come to see friends. But everyone comes for the quilts.

Show quilts accepted for our annual contest and for special exhibits begin arriving at our office in December. The quilts are meticulously logged in and stored until the Sunday before the show when they are moved to the Ontario Convention Center for judging and displaying.

When the show closes on Sunday at 3:30 PM, dismantling the many quilt displays begins immediately. Each quilt is removed by white-gloved volunteers and carefully stored until the next day, when the process for packaging and shipping begins.

Other large shows can take up to a month to return their show quilts to the makers. At Road to California, we pride ourselves in developing a process where over 1,000 quilts are readied for pick-up by FedEx by Monday afternoon following the show.

Show Director, Matt Reese, personally oversees the packing and shipping of the quilts. “This is the only part of the show that I am 100% directly responsible for,” commented Matt. “I do not delegate this responsibility to anyone. I have retained full oversight even when I was in law school and even when I was sick.”

Matt has spent the past three years perfecting Road’s packing and shipping method. His goal is to have the job done as quickly as possible without compromise. Matt says using computers, having multiple packing stations, and hand-picked volunteers make the difference.

Because of bad weather, Matt received extra volunteer help this year from Road 2017 Vendor Maria Tamaoka of Pinwheels,  Road 2017 Vendor and Teacher Pat Yamin of Come Quilt With Me 

and Road 2017 teacher Patt Blair

They were a great help.

Each quilt has a return instruction sheet completed by its owner that accompanies it throughout the 5-step Shipping and Packaging Process:

Step 1- Expediting

One person verifies the return instruction sheet along with the quilt’s assigned tracking number and a volunteer matches it to the quilt.

Step 2- Packaging

A volunteer folds the quilt as it was originally received, per the owner’s direction, and puts it in a plastic bag to protect it against any possible insect or water damage in shipping.

The quilt is then placed in a brand-new box that matches the dimensions requested by the owner.

Occasionally, when a quilt is received, the owner asks to have it returned in the box they provided. In those cases, Road holds on to the boxes until final shipment. And sometimes two quilts are returned to the same owner in the same box.

Our shipping boxes are put together on site. This year, all boxes were assembled by volunteer Randy Graves, quilter Stevii Graves’ husband. An engineer by profession, we knew the boxes would be well constructed!!


All boxes are then filled with acid-free packing paper to avoid movement in shipping.

Step 4-Weighing

All boxes are weighed on a scale and the weight is recorded on the return instruction sheet.

Step 4-Computer Station

This is the final check point for the quilt. It’s number and box contents are verified and a packing label is printed.

Step 5-Sealing and Mailing

The boxes are sealed and the mailing label is affixed. Also, the number of the quilt is written on the side of the box. All sealed boxes are stacked, ready and waiting for the FedEx truck to arrive. The FedEx driver loads the boxes, verifies the order and takes all the boxes to their main hub at Ontario International Airport for shipping.

This year, the packing and shipping was done in record time. Anxious owners should be receiving their quilts safe and sound by the end of the week.



What’s New At Road 2017?

At Road to California, you can always expect fabulous quilts, great classes, terrific teachers, and wonderful vendors. It’s the premiere event to see and experience the latest in the quilting world.

Each year, we try to stay on top of the curve by adding exciting and innovative things to the show. What can you expect to see at Road 2017?

New Management: Road to California is family owned and operated. For the past 21 years, Carolyn Reese, her three sons and their families, have brought you the 2nd largest quilting show in the United States. This past year, Carolyn Reese retired and turned over the management of the show to her grandson, Matt Reese. Matt has held various responsibilities with the show since he was a pre-teen and for the past few years, has assisted Carolyn in running the show. A recent graduate of the California Bar, Matt divides his time between overseeing the day-to-day operations of Road to California and a budding law career focusing on family law.  

Giving Back: On Saturday night, attendees have the opportunity to participate in quilt-a-thon to benefit the Robert and Beverly Lewis Cancer Care Center. Roadies will be piecing tops, quilting tops and finishing quilts that evening.

The Pavilion: The front addition to the Ontario Convention Center is added each January exclusively for Road to California. Improvements this year to the pavilion include the removal of trees and street lights. The floor will be carpeted and the floor plan has been rearranged to be more accommodating for vendors and guests.

New Café: Located at the north end of the Convention Center, under the stairs, it resembles a famous coffee shop that shall not be named. Breakfast will be served as well as quick meal items for easy take and go. The grand opening for the café will be January 20th, so Road guests are the first to use it.

Outdoor Patio: Located near the north doors, there will be a fireplace and comfortable seating – the perfect place to rest and visit. If you are wondering what happened to the food venues that were previously located in the new patio area, the ice cream can be found in the food tent; kettle corn and roasted almonds will be between the pavilion and the exhibit hall.

Road to California Booth:  Where to find special souvenirs of the show. New this year include:

Artic Cups

Handmade bags made by Carolyn Reese featuring Road to California 20th Anniversary Fabric

Fold-up Grocery bags

(Note: California now charges for grocery bags. Show them and bring your own Road to California Bag!!)

The Road App: Our new app is easy to navigate. It gives real time announcements and changes to the show plus it allows you to keep your notes from classes and vendors long after the show ends.

Before you come to the show, download our app at IOS at or Android at

Don’t worry…if apps aren’t your thing, you can download for FREE the Show Guide at 

Please note: A limited supply of Show Guides will be available to purchase at the event at the North and South Info Desks. However, once they are gone, they are gone.

We hope our guests will enjoy these changes and look forward to hearing their feedback.




Special Exhibit: Modern Quilts Redesigning Traditions

Road to California has partnered with the Ontario Museum of History and Art to present a special exhibit that explores the modern evolution of traditional quilt patterns.

The idea for the exhibit came from Carolyn Reese (owner of Road to California) and Pam Overton (President of Southern California Council of Quilt Guilds). They thought a Modern exhibit would interest not only Road to California patrons but Ontario Museum of History and Art patrons also.

The exhibit was curated by Georganna Hawley, immediate Past President of the Ventura Modern Quilt Guild. She began calling for entries after Road 2016 and resulted in over 80 quilts from talented quilters from the United States, Canada, and the United Kingdom.

The Modern Quilt Movement is nearly 10 years old. It started in the early 2000’s with an online community of like-minded quilters. These artists were inspired by modern design, bold colors, extensive use of negative space and innovative piecing. Today, Modern quilters continue to embrace a style usually not seen in traditional quilts.

Most traditional pieced blocks are based on geometric shapes: squares, triangles, and circles. Early patchwork quilters used geometric blocks because they were easily fitted and sewn together, and could be arranged into hundreds of patterns. As individual quilters gained skill and confidence, the shapes and combinations became more challenging.

Today’s modern Traditionalist quilters choose original quilt patterns from the 1920’s – 1950’s and shrink them, enlarge them, move them off-grid, or simply improvise the piecing to redesign the block.

The exhibit opened to the public December 1, 2016 and will stay open until Road to California closes on January 22, 2017. The museum is opened limited hours and the exhibit is free.

Modern Quilts Redesigning Traditions will also serve as a backdrop for a Lecture and Trunk Show hosted by modern quilter, Latifah Saafir on Tuesday night, January 17, 2017 and a Meet and Greet for Modern Quilters on Friday, January 20, 2017. both events are from 6:00 – 8:00 PM and are free to the public. Reservations however must be made by calling the museum at (909) 395-2510.

Road 2017 Teacher and Vendor: Meet LauraJane White

LauraJane White will be teaching 2 evening classes on the Pleachét technique on Friday 5066C and Saturday 6061C 

Laura White crochets rugs at the Silver Dollar City National Harvest & Cowboy Festival.

Road to California 2017 is offering several “non-quilting” classes and one of those will be LauraJane White’s Pleachét  classes.  Pleachét is a technique used to build heirloom rugs from strips of old or new fabric. The fabric is loaded onto a needle — RugBeeRugNeedle TM and crocheted back off with carpet warp, leaving the material standing on edge to create plush rugs, chair pads and trivets.

The Pleachét process and the needle that is used, were designed by LauraJane’s grandmother, Laura Elizabeth Johnston. Her grandmother used it to carpet the family farmhouse, wall to wall, in Windsor, Missouri around the turn of the 19th Century.

LauraJane’s grandmother, Elizabeth Johnston, at a craft show in the early 30’s/40’s in the midwest

LauraJane remembers her grandmother dying her own wool strips and crocheting rugs, but is was LauraJane’s sister, Shirley Wood, who taught LauraJane the process. Shirley and LauraJane worked side-by-side for many years at the 1880’s themed craft park, “Silver Dollar City,” teaching and making their beautiful rugs.

The Pleachét Booth will be located at 2H in the Exhibit Hall and will feature the many styles of Pleachét from round, rectangle, and oval rugs to chair pads and trivets in both floral and geometric designs. Pleachét  tools will also be available. LauraJane enjoys interacting with her customers, sharing her family legacy and demonstrating a primitive craft that much of the world has never seen. 

In her classes, LauraJane will help her students create their own family heirlooms utilizing the Six Easy Steps of Pleachét:

*Choosing fabric and it’s preparation is key.

*Cutting appropriate width-size determining what your

 project will become.

*Proper loading of the fabric onto the rug needle to insure the

 neatness of your rug.

*Starting with the simplest of crochet stitches a chain stitch

 thus determining the shape of your project.

*Building the art work, one row at a time.

*Learning to finish your edges properly.

LauraJane hopes her students will learn “to embrace the importance of keeping the primitive arts alive in an all too disposable minded society” by discovering a new outlet to express their personal creativity in a one-of-a-kind, work of art.

This will be LauraJane’s first time at Road to California. She said she has heard that Road “is the creme de la creme of fiber art festivals” and that she is “so looking forward to this show.”

To learn more about LauraJane and the Pleachét technique, please visit her web site.